CIMA da Conegliano
Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

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CIMA da Conegliano The Madonna and Child with St John the Baptist and Mary Magdalen dfg oil painting


The Madonna and Child with St John the Baptist and Mary Magdalen dfg
1510-15 Wood, 167 x 110 cm Mus??e du Louvre, Paris
Painting ID::  6032
CIMA da Conegliano
The Madonna and Child with St John the Baptist and Mary Magdalen dfg
1510-15 Wood, 167 x 110 cm Mus??e du Louvre, Paris
   
   
     

CIMA da Conegliano Madonna and Child dfhdt oil painting


Madonna and Child dfhdt
c. 1504 Tempera on wood, 66 x 57 cm Galleria degli Uffizi, Florence
Painting ID::  6033
CIMA da Conegliano
Madonna and Child dfhdt
c. 1504 Tempera on wood, 66 x 57 cm Galleria degli Uffizi, Florence
   
   
     

CIMA da Conegliano The Presentation of the Virgin dfgf oil painting


The Presentation of the Virgin dfgf
Wood Gemäldegalerie, Dresden
Painting ID::  6034
CIMA da Conegliano
The Presentation of the Virgin dfgf
Wood Gemäldegalerie, Dresden
   
   
     

CIMA da Conegliano The Incredulity of St. Thomas with St. Magno Vescovo fg oil painting


The Incredulity of St. Thomas with St. Magno Vescovo fg
c. 1505 Tempera and oil on panel, 215 x 151 cm Gallerie dell'Accademia, Venice
Painting ID::  6035
CIMA da Conegliano
The Incredulity of St. Thomas with St. Magno Vescovo fg
c. 1505 Tempera and oil on panel, 215 x 151 cm Gallerie dell'Accademia, Venice
   
   
     

CIMA da Conegliano St Peter Martyr with St Nicholas of Bari, St Benedict and an Angel Musician dfg oil painting


St Peter Martyr with St Nicholas of Bari, St Benedict and an Angel Musician dfg
1504 Oil on panel, 330 x 216 cm Pinacoteca di Brera, Milan
Painting ID::  6036
CIMA da Conegliano
St Peter Martyr with St Nicholas of Bari, St Benedict and an Angel Musician dfg
1504 Oil on panel, 330 x 216 cm Pinacoteca di Brera, Milan
   
   
     

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     CIMA da Conegliano
     Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

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